The GOCCOclub
Newsletter Archive  
 

GOCCOclub E-News

Issue 11, April/ May 2001.  News & information for GOCCOclub members
Postal: PO Box 175, NARRABEEN  NSW  2101, Australia
E-mail: GOCCOclub@nehoc.com.au
Inside this issue

This page . .

RISO competition winners

Using half a B5 Lamp Housing

Page 2 . .

New product - PG Digital

Q&A

- Getting rid of pinholes/ spotting

- Keeping Adhesive Boards alive

Page 3 . .

CMYK colour separations

- Changing the colour scale

- Basic printing options

Page 4 . .

CMYK colour separations (cont.)

- Advanced printing options

Hints & Tips

- Fixing a bad Photocopy

- Tip for GOCCO Pad Table


Welcome New Members

Welcome to the 71 New Members registered between 25th November 2000 and 31st March 2001

Australia - 32 (Internet/ E-mail 14)

International - 39 (Internet/ E-mail 39

Please mail to:
The GOCCOclub
PO Box 175
NARRABEEN NSW 2101
or e-mail: GOCCOclub@nehoc.com.au

Enter to WIN, WIN, WIN !

For the first time Australia didn’t receive a Gold, Silver or Bronze Award, however we have continued to set a high standard of work receiving 4 Fine Work Prizes.

26K
Mary Gilmour (Australia)
Computer generated butterfly
(26k)
Click to view . .
Jodie McIntyre (Australia)
Butterfly
(18k)
Click to view . .
Stan Cohen (Australia)
Angel
(12k)
Joy Harrison
T-shirt print 'Armidale guides going places map of Australia with guides logo centre'

Japanese entries scooped all the major prizes with the USA and Canada the only other countries with winners!

Special Prize

Click to view . .
Renee Chin (USA)
(17k)

Silver Prize

Click to view . .
Christine Nguyen (USA)
(12k)
Click to view . .
Frank Lewis (USA)
(40k)
Click to view . .
Avis Frank (Canada)
(24k)

Any print you make with your RISO or PRINT GOCCO system can be entered!

Simply put aside 2 copies of everything you print and enter them in December when we advise the new competition details. Entry is FREE and prizes are PG Coupons in US$!!


Tip for larger GOCCO's

‘The new version of the large GOCCO printer (with a new expensive price tag) has the capabilities to use only two bulbs to expose a part of the master. I decided to try it with my large GOCCO by cutting book board dividers and covering them in foil (as a reflective surface). The machine worked very well with two bulbs and the screen exposed normally. It didn't seem to matter whether I was using the two bulbs on the horizontal or vertical.’

Artemis BonaDea (E-mail: paradux@alaska.net), North Bound Book - Anchorage, Alaska


Page 2

Questions and Answers

Spots In My Screens

Q) I’m screen printing onto fabrics and see hundreds, maybe thousands, of little dots around the design - how can I get rid of them without coating the entire screen with Correction Fluid! - Ms B. Jennings (NSW)

A) There are three things you can do:

1/ Prepare your artwork by ironing against the Artwork Clean-Up Paper. It may take an extra minute but this will remove most of the dots before they are placed onto your screen.

Prevention is better than a cure!

Details of the Artwork Clean-Up process are available from your supplier, on the Internet or contact the GOCCOclub.

2/ If you have already made your screen, this option can only be done immediately after the first print!

Cover the entire area of the screen with your squeegee (print everything not just the design). After the first print, lift the screen off the paper and let the screen air for about 30-40 seconds. Most of these holes will dry naturally, but if you keep printing they will remain open!

3/ If you have already started printing, then you can cover the back of the screen around the design with masking tape - making sure you don’t come any closer to the design than about 10mm. With tape covering most of the unused areas of the screen you can now use the Correction Fluid to fill in the remaining areas.


Keeping Adhesive Boards Alive

Q) ‘My Adhesive Boards have lost their stick and I use them all the time. I have been removing the lint with masking tape but now the edges have started to lift - what can I do!’ - Mr S. Williamson (ACT)

A) Keep Adhesive Boards in great shape after they loose the ‘stick’ by applying Table Adhesive onto the board to rejuvenate the ‘stick’.

Simply put 1-2 drops onto the board and spread it around - this can be repeated as required.

Please send your questions to:
GOCCOclub Q&A
PO Box 175
NARRABEEN NSW 2101

What's New for GOCCO in Japan

The GOCCOclub has received a test machine of the newly released PG Digital imaging system from RISO - an electronic system that digitally scans artwork and transfers it onto special Print Master (B6 size) - with a number of amazing effects available!

PG Digital Machine

- Details of the PG Digital machine - http://www.nehoc.com.au/products/printgocco/digital
- CMY separation & print samples - http://www.nehoc.com.au/artgallery/pg11/cmyk
 
H   NO Print Lamps required
H   NO artwork preparation
H   Use mixed media (including ink jet)
H   Reverse imaging options
H   Photo setting for increased detail
H   NO more scanning photos
H   Monotone screens from colour design
H   Automatic CMY colour separations
H   NO printer compatibility problems
H   Simple to use & fast

Artwork

Artwork is scanned (not directly transferred), so you can go against GOCCO tradition and use non-carbon artwork e.g. bubble/ ink jet printers, plus also use mixed media in the same design e.g. hand drawn, magazine & ink jet.

Imaging Options

PG Digital uses a special screen mesh in the Print Master (not B6 Masters), and as the image is digitally scanned provides a number of long awaited imaging options:
3 Standard - just like normal Print Lamps (WYSIWUG)
3 Reverse Imaging - turns positive into negative
3 Standard with Photo setting - increased the grey scale and fine detail (for shading)
3 B/White Photo - black & white photograph imaged with very fine detail
3 Colour to Monotone - Turns a colour photograph into a single colour Print Master
3 CMY Separations - Separates a colour photograph/ picture into Cyan, Magenta & Process Yellow Print Masters in 3 individual passes
Some of the setting can be combinations , however as the instructions and video are in Japanese so we’re learning what the different combinations of buttons produce!

General Information

H PG Digital is not available outside Japan. The high cost of converting production for 240Volt makes it an unlikely addition to the normal range. (Special imports may be possible)
H The system operates on 110Volt, requiring a step down power converter (which gets VERY hot!), and is supplied with Japanese instructions & video that are difficult to understand.
H If the PG Digital becomes available in Australia (110Volt configuration) the price would be around $1300.00-$1400.00 (including step down power converter)

PG Digital Imaging service for CMY & Photographs?

Would you send us your photo/ design to have it transferred into a CMY/negative/monotone/etc. Print Master - then photo & imaged masters posted back?
Screen cost & postage would be the only charge (no labour, etc.) with a set of 3 screens (for CMY) would cost around $25.00 - a single screen about $9.00 - including return postage)
Would you like to get this service established? Tell us what you think!
E-mail us now

Handy Hint

A little tip for everyone about batteries: ‘I was doing a TV segment and I didn’t get a flash from my GOCCO, forcing me to tape again after replacing batteries, so I now do this - I place a small piece of masking tape on my battery area and write the date that I installed new ones. That way I am always noticing the date when I put in a Print Master. I replace the batteries once a year so this way I know when the year is up.’

Happy New Year everyone Mrs M. Watson, California USA (MR3653@aol.com)


Page 3

Creating CMYK Colour Separations with Adobe Photoshop©

Using a computer for CMYK artwork separations is an advanced topic, that is difficult to put onto paper, as computers vary as too the type and version of design program used. In this example Abobe Photoshop (version 5.0) is used, run on a PC (PIII 500Mhz processor, 256Mb RAM, 20Gb HD), especially when there are computer courses are available on these programs just so you can understand the basic features available!

Instructions and information can quickly become very complicated, so for this exercise we will apply KISS = Keep It Simple Stupid!

Let's get started!

Open the file/ picture (colour pictures only)
How: File > Open (Shortcut: Ctr+O)
Action: Picture will open in the screen

Task 1: Changing the Colour Scale 

Changing the colour scale1/ Change the colours of the picture to CMYK. Normally a picture is set to RGB (Red, Blue, Green) when you scan or import the file.
How: Image > Mode > CMYK Colour (Shortcut: Alt+I > M > C)
Action: Picture looks the same, but the computer reads, and prints, the colours differently.
 
2/ Open the Channels Window so you can select each of the CMYK layers individually for printing
How: Window > Show Channels (Shortcut: Alt+W > H)
Action: A small window will appear on the screen showing the CMYK, Cyan, Magenta, Yellow & Black channels.

You have now changed your picture from RGB to CMYK colour settings ready for printing.

Channel OptionsSelecting Channels

Channels are the different colour separations - also called layers.

In the Channel Window, click the mouse onto the Cyan channel – watch as the picture changes from colour to black & white.

The same change happens for the Magenta, Yellow & Black layers as well.

To print a colour (also called channel or layer), simply click on the channel colour with the mouse, then with the channel highlighted proceed to print as outlined below.

 


CMYK Colour PreferencesAdvanced Colour Preferences - CMYK Setup

Please note this option is not available in all versions of Photoshop.
1/ Open the Colour Setting options box and select CMYK Setup
How: File > Colour Settings > CMYK Setup (Shortcut: Alt+F > T > C)
Action: CMYK Colour options box appears

As PRINT GOCCO Paper Ink does not have a Process Black you can change the Black Generation to NONE to produce CMY printing (similar to RISO Artwork Books).


Task 2a: Printing - Older models with basic options 

It's important to understand all printers provide different printing options – the more advanced your printer the more options may be made available. If you have more memory and functions available you can modify more characteristics of the printing. Example - the ‘Printer Colour Management’ box at the bottom of the ‘Print’ box may be greyed out with older model printers.

Print Options1/ Open the Print options box (pictured right)
How: File > Print (Shortcut: Ctr+P)
Action: Print dialogue box will open on the screen
 
When the Print box is opened, basic printers will have options ‘greyed out’ and made unavailable. Basically your computer can’t tell your printer how to use the functions and therefore doesn’t make them available (they are set to default values that your printer can understand). Options you should have available, regardless of printer model, include:
- Change the Print Range if required (normally you don’t need to touch this)
- Change the Print Quality to the highest setting available (600dpi is the most you should need)
- Select number of Copies if required

 

2/ Click the Setup button on the right (under the OK and Cancel button)
How: Click Setup button with mouse (Shortcut: Alt+S)
Action: Page Setup dialogue box will open on the screen over Print box

With a basic printer the options at the bottom of the Page Setup box will be ‘greyed out’ and you don’t have much ability to manipulate your picture – you’ll just have to stick to Photoshop’s default values for CMYK separations.

3/ Close the Printer Properties box and Page Setup boxes to return to Print box.
HOW: Press OK button if you have made changes (Cancel if no changes).

With all your options selected/ changes made you can proceed to Print by clicking OK.


Page 4

Task 2b: Printing - New models with advanced options 

With newer model laser (plus bubble/ ink jet) printers you have the ability to change more options and take advantage of other features, as your printer can handle many more commands from the computer program.

1/ With a channel selected (Cyan for example) open the Print options
How: File > Print (Shortcut: Ctr+P)
Action: Print dialogue box will open on the screen

NB: Printer Colour Management should only be used if you KNOW your printer’s software drivers have CMYK support. If you are unsure simply let the program (Photoshop) do the work.

Page Setup Options2/ Open the Page Setup box (pictured right) by clicking the Setup button from the Print box
HOW: Click Setup button (Shortcut: Alt+S)
Action: Page Setup box will appear

Now you can manually adjust some of the setting, as you can add registration and crop marks to your print or select from the other available buttons!

What the buttons do (remember you can press F1 for help):

BACKGROUND: Select a colour to be printed as a background outside the picture area.

BORDER: Lets you print a black border around the picture.

BLEED: Lets you print crop marks inside rather than outside the image.

CALIBRATION BARS: Prints an 11-step grayscale, a transition in density from 0 to 100% in 10% increments. With a CMYK color separation, a gradient tint bar is printed on the left of each CMY plate, a progressive colour bar on the right.

CROP MARKS: Where the page is to be trimmed. You can print crop marks at the corners, at the centre of each edge, or both

LABELS: Prints the file name and channel name on the image.

TRANSFER: Lets you adjust the transfer functions, traditionally used to compensate for dot gain or dot loss that may occur when an image is transferred to film. Generally, it’s best to adjust for dot gain using the settings in the CMYK Setup dialog box.

Screens OptionsSCREENS (pictured left): This is the option you will commonly use with CMYK printing, as this options enables you to change the frequency, angle and shape of the dots that the computer generates to make up the separations.

NB: The preferred Shape configuration for process printing is Round

 

With all your options selected/ changes made you can proceed to print by clicking OK.

Summary

If you are after a magic formula that gives a perfect result every time - we don’t think one exists! All pictures vary (colours/ density/ size/ etc.) so changing the settings, testing and playing with these features is quite fun and quickly gives you a few different results.

Can you expand on the information above, explain a point more directly or think we have missed something - we would be pleased to hear from you E-mail us now


Hints & Tips from Members

Fixing marks On Artwork
‘I don’t have a laser printer at home, only a Cannon bubble jet, so I have to take a photocopy of my designs at the Library. The coper there normally puts marks and blobs onto the paper so before I make my screen I get a sharp knife and cut out the marks - leaving little holes in my paper everwhere that sometimes looks like Swiss cheese!!. The holes solve my problem and get rid if the marks and make no difference to imaging the screen.’ From Mrs T. Logan

ED NOTE: Just be sure not to cut too close to the design as it may leave a raised edge that stops the carbon coming into contact with the film on the screen- causing a faded or missing edge. If you have to go right to the edge rub the edge down - taking care not to scratch the carbon off on the paper.

Great Tip For Your GOCCO Pad Table
‘I found this tip out by accident when I lowered the lid of my [GOCCO] B6 and printed straight onto the Pad Table without putting my paper in. The ink kept coming off onto the back of my prints, so I stopped printing and used the RISO [OK] Cleaner with a chux cloth to clean off the ink. I cleaned the entire Pad and when it was done the Pad was actually better.’ From Mr P. Wallace

ED NOTE: Give this a try everyone! We cleaned up a few of our GOCCO Pad Tables and then tested these against a new machine - the cleaned pad held its ‘stick’ longer than a new one!


Additional Links

  Download this Issue (paper version) in Adobe pdf (403k) - Click here . .